英美文学选择题.docx
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英美文学选择题.docx
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英美文学选择题
ChapterI
1.Dr.Faustusisaplaybasedonthe__C___legendofamagicianaspiringfor____andfinallymeetinghistragicendasaresultofsellinghissoultotheDevil
A.British/immoralityB.French/moneyC.German/knowledgeD.American/politicalpower
2.___B__,isatypicalexampleofOldEnglishpoetry,isregardedtodayasthenationalepicoftheAnglo-Saxons.A.TheWife’sComplaintB.Beowulf
C.TheDreamoftheRoodD.TheSeafarer
3.It’sChauceralonewho,forthefirsttimeinEnglishliterature,presentedtousacomprehensiverealisticpictureoftheEnglishSocietyinhismasterpiece____A______.
A.TheCanterburyTalesB.TheLegendofGoodWomen
C.TroilusandCriseydeD.TheRomauntoftheRose.
4.TheEssenceofRenaissance,themostsignificantintellectualmovement,was___D__.
A.GeographicalexplorationB.Religiousreformation
C.PublishingandtranslationD.Humanism.
5.“PrinceArthur’sgreatestmissionishissearchforGloriana,withwhomhehasfalleninlovethroughalovevision.”Thetwofigurescomefrom___C__.
A.ParadiseLostB.Dr.FaustusC.TheFaerieQueeneD.Hamlet
6.In“Sonnet18”,Shakespeare_______A__________.
A.Meditateonthedestructivepoweroftimeandeternalbeautybypoetry.
B.Satirizehuman’svanity.C.Predicttheeternityoflove.D.Eulogizethepowerofthebeauty.
7._C___gavenewvigortotheblankversewithhis“mightylines”andmake’blankverse’theprinciplevehicleofexpressionindrama.
A.SurreyB.WyattC.MarloweD.Sidney
8.Shakespeare’sgreatesttragediesarethefollowingworksexcept__C__.
A.HamletB.KingLearC.RomeoandJulietD.Othello
9.TheRenaissancereferstobetween14th----mid-17thcentury,whichwasunderthereignofQueen___andabsolutemonarchyinEnglandreacheditssummit,andinwhichthe’realmainstream(真正的文学主流)’was__B__.
A.Victoria/poetryB.Elizabeth/dramaC.Mary/novelD.James/drama
10.InTheLegendofGoodWomen,ChaucerusedforthefirsttimeinEnglishtherhymedcoupletofiambicpentameter,whichistobecalledlater___B_.
A.TheSpenserianstanzaB.Theheroiccouplet
C.TheblankverseD.Thefreeverse
11.TheRedcrosseKnightin“TheFaerieQueene”standsfor__B___,andUnastandsfor_____.
A.bravery/chastityB.holiness/truthC.error/deliveryD.truegentleman/lady.
12.WhichofthefollowingisNOTregardedasoneofthecharacteristicsofRenaissance?
D
A.RediscoveryofancientRomanandGreekculture.
B.AttempttoremovetheoldfeudalistideasinMedievalEurope.
C.Exaltationofman’spursuitofhappinessinhislife,andtoleranceofman’sfoibles.
D.Praiseofman’seffortsinsouldeliveryandpersonalsalvation.
13.“Theslingsandarrowsofoutrageousfortune”isanexampleof__A____.
A.MetaphorB.SimileC.IronyD.Personification
14.__B___introducedthePetrarchansonnetintoEngland.
A.Anglos/SaxonsB.Normans/Anglo-SaxonsC.Greeks/RomansD.Romans/Normans
15.Itis_B__alonewho,forthefirsttimeinEnglishliteraturepresentedtousacomprehensiverealisticpictureoftheEnglishsocietyofhistimeandcreatedawholegalleryofvividcharactersfromallwalksoflife.
A.EdmundSpenserB.GeoffreyChaucerC.WilliamShakespeareD.JohnDonne
16.Thefollowingbelongtothecharacteristicsof’metaphysicalpoetry’representedby’JohnDonne’except__D_.A.ConceitsB.Actualimageryandsimplediction
C.ArgumentativeformD.Elegantstyle
17.ParadiseLostisactuallyastorytakenfrom__C__.
A.GreekMythologyB.RomanlegendC.TheOldTestamentD.TheNewTestament
18.In“ParadiseLost”,Satansays“Wemaywithmoresuccessfulhoperesolve/Towagebyforceorguileeternalwar,/IrreconcilabletoourgrandFoe”Whatdoesthe“Eternalwar”mean?
C
A.ToremoveGodfromhisthroneB.ToburntheHeavenDown
C.TocorruptGod’screationofmanandwoman-----AdamandEve
D.Tobeguileintoasnaketothreatenman’slife
19.__B___,thefirstofthegreattragedies,isgenerallyregardedasShakespeare’smostpopularplayonthestage,forithasthequalitiesofa“blood-and-thunder”thrilleranda’philosophicalexploration’oflifeanddeath.
A.TheMerchantofVeniceB.HamletC.KingLearD.TheWinter’sTale
20.Itwas__B_and___thetwoconqueststhatprovidedthesourcefortheriseandgrowthofEnglishliterature.
A.Anglos/SaxonsB.Normans/Anglo-SaxonsC.Romans/NormansD.Greeks/Romans
21.ParadiseLostis_C__’smasterpiece,whichisanepicin12books,writteninblankverse,abouttheheroicrevoltofSatanagainstGod’sauthority.
A.JohnDonneB.ChristopherMarloweC.JohnMiltonD.EdmundSpenser
22.ThefollowingdescriptionfitintoMilton’except’__D___.
A.agreatrevolutionarypoetofthe17thcenturyB.anoutstandingpoliticalpamphleteer
C.agreatstylistandmasterofblankverseD.akindofelegantandrefinestyle.
23._D____isnotwrittenbyJohnMilton.
A.SamsonAgonistesB.ParadiseLostC.ParadiseregainedD.Tamburlaine
24.Marlow’sgreatestachievementisthatheperfectedthe’blankverse’,andheisregardedas’thepioneerofEnglishdrama’,whichofthefollowingisnotwrittenbyhim?
D
A.TamburlaineB.TheJewofMalta
C.ThePassionatetoHisLoveD.TheSunRising
25._B___EssaysisthefirstexampleofthatgenreinEnglishliterature,whichhasbeenrecognizedasanimportantlandmarkinthedevelopmentofEnglishprose.
A.JohnMilton’sB.FrancisBacon’sC.Montaigne’sD.ThomasGray’s
26._B____Wasknownas“thepoets’poet”.
A.WilliamShakespeareB.EdmundSpenserC.JohnDonneD.JohnMilton
27.“Andwewillmaketheebedsofroses/Andathousandfragrantposies/Acapofflowers,andakirtle/Embroideredallwithleavesofmyrtle.”Theabovelinesareprobablytakenfrom___D___.
A.Spenser’sTheFaerieQueeneB.JohnDonne’sTheSunRising
C.Shakespeare’sSonnet18D.Marlow’sThePassionateShepherdtoHisLove.
28.WhichofthefollowingstatementbestillustratesthethemeofShakespeare’sSonnet18?
C
A.ThespeakereulogizesthepowerofNature.B.Thespeakersatirizeshumanvanity.
C.Thespeakerpraisesthepowerofartisticcreation.D.Thespeakermeditatesonman’ssalvation.
Chapter2TheNeoclassicalPeriod
1.__B__bringsHenryFieldingthenameofthe"ProseHomer".
A.ThePilgrim’sProgressB.TomJonesC.RobisonCrusoeD.ColonelJack
2.AlexanderPopeworkedpainstakinglyonhispoemsandfinallybroughttoitslastperfection__A____Drydenhadsuccessfullyusedinhisplays.
A.theheroiccoupletB.thefreeverse
C.theblankverseD.theSpenserianstanza
3.Ofallthe18thcenturynovelists_A__wasthefirsttosetout,bothintheoryandpractice,towritespeciallya"comicepicinprose."
A.HenryFieldingB.DanielDefoeC.JonathanSwiftD.JohnBunyan
4._C___isthemostsuccessfulreligiousallegoryintheEnglishlanguage.
A.GenesisAB.TheHolyWarC.ThePilgrimsprogressD.Exodus
5.Inwhichofthefollowingworkscanyoufindthepropernames"Lilliput","Brobdingnag","Houyhnhnm"and"Yahoo"?
C
A.ThePilgrim’sProgressB.TheFaririeQueene
C.Gulliver’stravelsD.TheSchoolofScande
6."Asshadesmoresweetlyrecommendthelight,Somodestplainnesssetsoffsprightlywit;Forworksmayhavemorewitthandoes’emgoodAsbodiesperishthroughexcessofblood."Intheabovelines,Popetriestosatthat____C___.
A.morewitwillmakebetterpoetryB.plainnessismoreimportantthanwitinpoetry
C.toomuchwitwilldestroygoodpoetryD.plainnesswillmakewitdull
7.TheRapeoftheLockbyAlexanderPopeiswrittenintheformofamock___A___,whichdescribesthetrivialityofhighsocietyinagrandstyle.
A.EpicB.ElegyC.SonnetD.ode
8.WhichofthefollowingisNOTatypicalfeatureofSamuelJohnson’slanguagestyle?
C
A.Hissentencesarelongandwellstructured.B.Hissentencesareinterwovenwithparallelwords.
C.Hetendstouseinformalandcolloquialwords.D.Hissentencesarecomplicated,buthisthoughtsareclearlyexpressed.
9."Theboastofheraldry,thepompofpower,Andallthatbeauty,allthatwealthe’ergave,
Awaitsaliketheinevitablehour.Intheabovequotedpassage,ThomasGrayintendstosay
thatgreatfamily,power,beautyandwealth_______D____.
A.willnevermakepeopleleadtothesamedestination----pathsofglory.
B.willinevitablymakepeoplerealizetheirgloriousdreams
C.aretheverybestthingstoleadpeopletotheirglories
D.willneverpreventpeoplefromreachingtheirfinaldestination---grave.
10._B___hasbeenregardedbysomeas"FatheroftheEnglishnovel"forhiscontributiontotheestablishmentoftheformofthemodernnovel.
A.JohnBunyanB.HenryFieldingC.DanielDefoeD.JohnathanSwift
11._A___wasverymuchconcernedwiththethemeofthevanityofhumanwishesandtriedtoawakenmentothisfollyandhopedtocurethemofitthroughhiswriting.
A.SamuelJohnsonB.JonathanSwiftC.RichardBrinsleySheridanD.ThomasGray
12._B___wastheonlyimportantdramatistofthe18thcentury,inhisplays,moralityistheconstanttheme.
A.AlexanderPopeB.RichardBrinsleySheridanC.SamuelJohnsonD.GeorgeBernardShaw
13.AstherepresentativeoftheEnlightenment,PopewasoneofthefirsttointroduceAtoEngland.
A.RationalismB.CriticismC.RomanticismD.Realism
14.TheRivalsandAaregenerallyregardedasimportantlinks
betweenthemasterpieceofShakespeareandthoseofBernardShaw.
A.TheSchoolforScandalB.TheDuennaC.Widower’sHousesD.TheDoctor’sDilemma
15._D___isasharpsatireonthemoraldegeneracy(道德沦丧)ofthe
aristocratic-bourgeoissocietyinthe18th
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