Part Two The English Renaissance.docx
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Part Two The English Renaissance.docx
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PartTwoTheEnglishRenaissance
PartTwo:
TheEnglishRenaissance
Chapter1:
OldEnglandinTransition
1.TheNewMonarchy
HundredYears’War(1337-1453)
Thecivilwar:
TheWarofRoses(1445-1485)
(1)
Thewholenobleclasssufferedgreatlosseswiththisself-destruction.
(2)
TheKingofEnglandassumedgreaterpowerthanbefore.
(3)HenryVII(1485-1509),foundedtheTudordynasty(都铎王朝).
2.TheReformation
(1)Reason:
TheinternationalregimeoftheRomanCatholicChurchhadlongbeenburdensometotheKingofEnglandinestablishinganabsolutemonarchy.
(2)HenryVIII:
①declaredthebreakwithRome
②carriedoutawholesalesuppressionofthemonasteries
③confiscatedthepropertyofthechurch
④enrichingthenewbourgeoisnobility
3.TheEnglishBible
(1)TheLatinBibletheEnglishtranslationoftheBible
(2)ThefirstcompleteEnglishBiblewastranslatedbyJohnWycliffe.
(3)WilliamTyndaleworkedonanotherEnglishversionasanaidtothecausereligiousreform.
TheNewTestament
portionsoftheOldTestament
(4)InfluencesofTheAuthorizedVersion(the“KingJamesBible”)
①heldfasttopure,oldEnglishspeech
②thestandardmodernEnglishhasbeenfixedandconfirmed.
③thesimpleanddignifiedlanguageoftheA.V.hascolouredthestyleoftheEnglishproseforthelast300yearsandmore.
3theEnglishBiblehaswovenitsphrasesandexpressionsintothetextureoftheEnglishlanguage,literature,andlife.
1.
TheEnclosureMovementTheselabourerswerefathersofmodernEnglishproletarians.
5.TheCommercialExpansionestablishingthefirstEnglishcolonies
6.TheWarwithSpainthetriumphoftherisingyoungbourgeoisieoverthedecliningoldfeudalism.TheEnglishbourgeoisiecametotheforeinthearenaofhistory.
7.TheRenaissanceandHumanism
8.WilliamCaxton:
(1)thefirstEnglishprinter
(2)woodcutillustration
9.ThebeginningoftheEnglishRenaissance(“OxfordReformers”)
Chapter2:
ThomasMore
1.Life:
①②③
2.Utopia:
①②
(1)BookOne:
①②
(2)BookTwo:
①②③④
3.ThomasMore’sLimitations:
①②③④
4.EngelsontheRenaissance
Chapter3:
TheFloweringofEnglishLiterature
1.TheFlourishingofLiterature:
①②③④
2.SirPhilipSidneyandWalterRaleigh:
3.EdmundSpenser
(1)Majorworks:
①②③④
(2)EdmundSpenser’sPositioninEnglishLiterature:
①②③④
4.JohnLyly:
①②③④
5.FrancisBacon
(1)Majorworks:
①②③
(2)Significance:
①②③
Chapter4:
Drama
1.Literaryterms:
(1)TheMiraclePlay
(2)TheMoralityPlay
(3)TheInterlude
(4)TheClassicalDrama
2.TheLondonTheatre
3.TheAudience
4.ThePlaywrights
Chapter5ChristopherMarlowe
1.Life:
1564-1593(29years)
(1)readtheGreekepicsinLatintranslation
(2)practisedpoeticinLatin
(3)wroteabookagainsttheBible(notprinted)
2.Majorworks:
(1)Tamburlaine(1587)
(2)TheJewofMalta(1592)
(3)TheTragicalHistoryofDoctorFaustus(1588)
3.SocialSignificanceofC.Marlowe’sPlays
(1)thespiritoftherisingbourgeoisie
(2)theme:
thepraiseofindividuality
(3)heroes:
individualists
4.C.Marlowe’sLiteraryAchievement
(1)theGreatestofthepioneersofEnglishdrama
(2)hisepical,lyricalverse
(3)pavedthewayfortheplaysofthegreatestEnglishdramatist
Chapter7BenJonson
1.Life:
1572-1637
(1)aremarkableGreekandLatinscholar
(2)“comediesofhumours”
(3)apoetandcritic
(4)“literaryking”ofhistime
2.Majorworks:
3.OtherRepresentatives:
Chapter6WilliamShakespeare
1.Life:
1564-1616
(1)livedinanagewhentheoldfeudalsocietyandeconomicorderwasbeingdestroyedandanewcapitalistwasbeingborn.
(2)“ahandsome,well-shapedman,verygoodcompany,andofaveryreadyandpleasantsmoothwit”,called“gentleShakespeare”/“gentlewill”
2.ChronologicalListofhisPlays:
(1)thefirstperiod:
1590-1594(early)
①Works:
②Comments:
(2)thesecondperiod:
1595-1600(mature)
①Works:
②Comments:
(3)thethirdperiod:
1601-1607(flourishing)
①Works:
②Comments:
(4)thefourthperiod:
1608-1612(late)
①Works:
②Comments:
3.TheGreatComedies
(1)AMidsummerNight’sDream
(2)TheMerchantofVenice
(3)AsYouLikeIt
(4)TwelfthNight
4.TheMatureHistories
(1)HenryIV
(2)TheImageofHenryV
(3)TheImageofSirJohnFalstaff
5.TheGreatTragedies
(1)Othello
(2)LingLear
(3)Macbeth
(4)Hamlet
①Story:
②ThecharacterofHamlet
③TheMelancholyofHamlet
6.TheLaterComedies
(1)Pericles
(2)Cymbeline
(3)TheWinter’sTale
(4)TheTempest
7.ThePoems
(1)VenusandAdonis
(2)TheRapeofLucrece
(3)Sonnets
8.FeaturesofHisDrama
(1)theprincipleofrealism
(2)themethodofadoptation
(3)breakingtherulesof“ThreeUnities”
ThreeUnities(三一律)
三一律是西方戏剧结构理论之一,是一种关于戏剧结构的规则。
先由文艺复兴时期意大利戏剧理论家提出,后由法国古典主义戏剧家确定和推行。
三一律规定剧本创作必须遵守时间、地点和行动的一致,即一部剧本只允许写单一的故事情节,戏剧行动必须发生在一天之内和一个地点。
“要用一地、一天内完成的一个故事从开头直到末尾维持着舞台充实。
”
17世纪,三一律被法国古典主义戏剧家当作不可违反的规定而极力推行,并在欧洲剧坛长期占据统治地位。
18世纪以后,随着浪漫主义戏剧的兴起,三一律不断受到戏剧家的抨击,逐渐被冲破。
(4)skilledinmanypoeticforms(dramaticblankverse)
(5)largervocabulary
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