简爱读后感英文版_简爱英文版读后感_1篇(共12页)7800字.docx
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简爱读后感英文版_简爱英文版读后感_1篇(共12页)7800字.docx
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简爱读后感英文版_简爱英文版读后感
janeeyre—abeautifulsoul
janeeyre,isapoorbutaspiring,smallinbodybuthugeinsoul,obscurebutself-respectinggirl.afterweclosethecoversofthebook,afterhavingalongjourneyofthespirit,janeeyre,amarvelousfigure,hasleftussomuchtorecallandtothink:
werememberhergoodness:
forsomeonewholostarmsandblindedineyes,forsomeonewhodespisedherforherordinariness,andevenforsomeonewhohadhurtherdeeplyinthepast.
werememberherpursuitofjustice.it'slikeacompanionwiththegoodness.butstill,avirtuouspersonshouldpromotethegoodnessononesideandmustcheckthebadnessontheotherside.
werememberherself-respectandtheclearsituationonequality.inheropinion,everyoneisthesameatthegod'sfeet.thoughtherearedifferencesinstatus、inpropertyandalsoinappearance,butallthehumanbeingareequalinpersonality.
wealsorememberherstrivingforlife,hertoughnessandherconfidence…
whenwethinkofthisgirl,whatshegaveuswasnotaprettyfaceoratranscendenttemperamentthatmakeusadmiredeeply,butahugecharmofherpersonality.
actually,shewasn'tpretty,andofcourse,theordinaryappearancedidn'tmakeothersfeelgoodofher,evenherownauntfeltdisgustedwithit.andsomeotherseventhoughtthatshewaseasytolookdownonandtotease,sowhenmissingrammetjaneeyre,sheseemedquitecontemptuous,forthatshewasobviouslymuchmoreprettierthan'theplainanduglygoverness‘。
butasthelittlegovernesshadsaid:
'doyouthink,becauseiampoor,obscure,plain,andlittle,iamsoullessandheartless?
youthinkwrong!
'thisistheideaofequalityinjaneeyre'smind.godhadn'tgivenherbeautyandwealth,butinstead,godgaveherakindmindandathinkingbrain.herideaofequalityandself-respectimpressussomuchandletusfeelthepowerinsideherbody.
inmymind,thoughaperson'sbeautyonthefacecanmakeothersoncefeelthatoneisattractiveandcharming,ifhisorhermindisn'tthesamebeautifulastheappearance,suchasbeautycannotlastfor,whenothersfindthatthebeautywhichhadcharmedthemwasonlyafalsity,it'snottrue,theywilllikethepersonnomore.foralongtime,onlyaperson'sgreatvirtue,anoblesoul,abeautifulheartcanbecalledasaneverlastingbeauty,justaskahillgibranhassaid,that'beautyisaheartenflamedandasoulenchanted’。
icanfeelthathowbeautyreallyis,asweareallfleshlymen,sowecan'tdistinguishwhetheramanisofnoblenessorhumbleness,butfleshlymen,sowecan'tdistinguishwhetheramanisofnoblenessorhumbleness,butastherearegreatdifferencesinoursouls,andfromthat,wecanknowthatwhetheramanisnobleorordinary,andevenobscure,thatis,whetherheisbeautifulornot.
简爱读后感英文版_简爱英文版读后感
ananalysisofjaneeyre
thenovelisrichinpoetry,symbolismandmetaphor.itdoesnotfiteasilyintoadefinitepattern,beingneitheranovelof“manners”inthetraditionofausten,orastraightforwardgothicromanceinthestyleofmrsradcliffe.whatcharlottebrontedidwastocreateaworkwhichcleverlyblendselementsofthetwostyles,andwhichremainsuniquelyindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimerathercontroversial.
thenoveliswritteninthefirstperson,andthusmagnifiesthecentralcharacter-thereaderenterstheworldofjaneeyreandistransportedthroughherexperiencesatfirsthand.thisatoncemakestheworksubjective,especiallysinceweknowthatcharlottesbrontesownlifeandexperiencesweresocloselyinterwovenwiththeheroine's.aswellasthiswelearnonlyattheendofthenovelthattheeventsarebeingrelatedtoustenyearsafterthereconciliationwithrochester-thusthenarrativeisretrospective。
cbiscleverinblendingthenarrativesothatattimesjaneseemstobespeakingasanadultwithadulthindsight,whileatothersshesheis“inthemiddle”ofthem,asachildoryoungwoman.theindecisionwhichisacentralissueinthebook,isheightenedbythisdevice.weneverknow,asreaders,whethertobeentirelytrustfulofjanesactionsandthoughts,becauseweareneversurewhehersheisspeakingimpulsivelyormaturely.
thisintensifiesthereadersdilemmaastowhatis“right”and“wrong”inthedramaticrelationshipswhicharepartofje'slife.canwebelievewhattheheroinesays,orisshedeceivingherself?
thenovelisprimarilyalovestoryanda“romance”wherewishescometruebutonlyaftertrialsandsuffering.thesupernaturalhasitsplace,asdodreams,portentsandprophesies.theheroinebeginspoorandlonelyandendsuprichandloved;theorphanfindsagoodfamilytoreplacethewickedone;allthebasicingredientsofclassicromanticfairytalearepresent.
theromanticelementispresentintwoformsinjaneeyre;the“family”aspectisdealtwithinthegateshead,lowoodandmoorhouseepisodes,whichinvolvetheexchangingofthewickedreedfamilyforthebenevolentriversone;andtheloveromanceisdealtwithinthethornfieldandferndeanepisodes.bothaspectsare,ofcourselinkedandinterwoventhroughoutthenovel.
thereisalsoastrongelementofrealisminthenovel,which,marriedtotheromanticaspect,enhancesthenovel'sstrength.thesenseofplaceisverystrong;weareabletoexperiencebothexteriorandinteriorsettingswithstartlingclaritythroughoutthestory,inaseriesofvividdeivepassages.thecentralcharactersarealsorealisticandtheirconfrontationsandsufferingschangetheminabelievableway.
eventheunlikelyismadeplausible,withauniqueblendofhighdramaandperceptivelowcomedy
themorefantasticromanticaspects;thecoincidences;thesecrets;thesupernaturaloccurrences,arebalancedbytherealism,andthisisofcourseamajorstrength.
thegothicinfluencecannotbeignored,althoughcbhasrefinedthetechniqueconsiderablyfromthe“authentic”gothicoftheXXXX年's.intheoriginalgenre,theheroinewouldtypicallybeabductedandthreatenedwithseduction,orworse!
.therewouldbealover-arespectable,well-bredyoungman-whowouldendeavortorescuetheheroineandwouldsucceedaftermanytrial.theseducerwouldbeabrigand“knowthatiadorecorsairs!
”andhewouldlockthegirlupinaremotecastle.
therewaslittlefreedomformiddleclasswomenduringtheperiodofthegothicnovel,andthiswasstillthecaseinthetimeofcb.marriageespeciallywasoftenabargain,wherebyfortunesweresecuredbyusingthefemaleasapawn.awoman'svaluelargelydependedthereforeonhersexualpurityandshewasguardedandsecuredasaresult.men,onthecontrary,werepotentandfree;loversandmistresseswerecommon.ironicallythewomenwhoprovidedtheirservicesweresocialoutcastsasaresult.
injaneeyreweseeelementsofthegothicromance,inthatthornfieldhallandrochesteraredescribedverymuchinthebrigand/castlestylebutjaneeyreisnotabductedbyr.onthecontraryshechoosestogothereofherownfreewill.andsheisclearinherdeterminationtohaverochesterasahusband.neitheristhereagentlemanrescuer;stjohnriversmaylooklikeagreekgod,butheisneitherkindnorbenevolent;drivingjanebacktoferndean,notrescuingherfromit.
thetrialswhichtheheroissupposedtoundergoinagothicromanceareinfactundergonebytheheroineinjaneeyre.thebanditrochesterisonlyskin-deep.underneaththebroodingexteriorisasensitivesoul,whichawomanfrees.inthiswayweseethatcbcreatedratheradaringdeparturefromconventionalfiction,althoughtherearestillmanyaspectsofthenovelwhichremaintruetovictorianconvention.!
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