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    广东省广州市届高三英语第二次模拟考试试题.docx

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    广东省广州市届高三英语第二次模拟考试试题.docx

    1、广东省广州市届高三英语第二次模拟考试试题广东省广州市2020届高三英语第二次模拟考试试题 2020.4本试卷10页,满分120分,考试用时120分钟。注意事项:1.本试卷分第I卷(选择题)和和第卷(非选择题)两部分。答卷前,考生务必将自己的姓名、考生号、考场号和座位号填写在答题卡上。用2B铅笔将试卷类型(A)填涂在答题卡相应位置上。用2B铅笔在“考生号”处填涂考生号信息点,修改时须用橡皮擦干净。因笔试不考听力,第I卷从第二部分的“阅读理解”开始,试题题序号从“21”开始。2.作答第I卷时,选出每小题答案后,用2B铅笔在答题卡上对应题目选项的答案信息点涂黑;如需要改动,用橡皮擦干净后,再选涂其他

    2、答案。答案不能答在试卷上。3.第卷必须用黑色字迹的钢笔或签字笔作答,答案必须写在答题卡各题目指定区域内相应位置上;如需改动,先划掉原来的答案,然后再写上新答案;不准使用铅笔和涂改液不按以上要求作答无效。4.考生必须保证答题卡的整洁。考试结束后,将试卷和答题卡一并并交回。第二部分阅读理解(共两节,满分40分)第一节(共15小题:每小题2分,满分30分)阅读下列短文,从每题所给的A、B、C和D四个选项中,选出最佳选项。AThe country is India. A large dinner party is being given in an up-country station by acol

    3、onial official and his wife. The guests are army and government officers and their wives, and anAmerican naturalist.At one side of the long table, a spirited discussion springs up between a young girl and an armyofficer. The girl insists women have long outgrown the jumping-on-a-chair-at-the-sight-o

    4、f-a-mouseera, and that they are not as anxious as their grandmothers were. The officer says they are,arguing women havent the actual nerve control of men.“A womans reaction in any crisis, the officer says,“is to scream. And while a man mayfeel like it, he has that ounce more of control than a woman

    5、has.The American scientist does not join in the argument but sits and watches the faces of theother guests. As he stares, he sees a slight, though strange look of anxiety come over the face of thehostess. With a small gesture she summons the servant standing behind her chair. She whispers tohim. The

    6、 servants eyes widen. He turns quickly and leaves the room. No one else sees this, nor theservant when he puts a bowl of milk on the balcony outside the glass doors.The American understands. In India, milk in a bowl means only one thing. It is bait fora snake. He realizes there is a cobra in the roo

    7、m. The Americans eyes move across the roombut he sees nothing. He realizes the snake can only be in one place - under the table.His first reaction is to jump back and warn the others. But he knows any sudden movementwill frighten the cobra and it will strike. He speaks quickly, the quality of his vo

    8、ice so arrestingthat it quietens everyone.“I want to know just what control everyone at this table has. I will countthree hundred - thats five minutes - and not one of you is to move a single muscle. Now! Ready!The 20 people sit like stone images while he counts. He is saying .o. hundred and eighty.

    9、when, out of the corner of his eye, he sees the snake emerge and make for the bowl of milk. Four orfive screams ring out as he jumps to slam shut the balcony doors.“There is your proof! the host says.“A man has just shown us real control.“Just a minute, the American says, turning to his hostess,“How

    10、 did you know that cobrawas in the room?A faint smile comes across the womans face as she replies. “Because it was lying across myfoot.21. What is the argument between the army officer and the young girl about?A. Whether women are afraid of mice.B. Whether men are calmer than women.C. Whether men ar

    11、e cleverer than women.D. Whether women would make suitable soldiers.22. Why is the servant asked to put out some milk?A. To play a trick.B. To serve the guests.C. To attract the snake .D. To feed the hostesss pet.23. Why does the scientist suggest the guests play a game?A. He doesnt want anyone to p

    12、anic.B. He intends to test the officers theory.C. He sees there was a snake in the room.D. He wants to entertain the other guests.24. What does the author imply through the hostesss final statement?A. The army officers opinion is wrong.B. The hostess understood the Americans intention.C. The America

    13、n was surprised by the snakes presence.D. The hostess has had previous experience dealing with snakes.B25. What caused musicals to move in a new direction during the 1930s?A. The development of new musical instruments.B. The audience s demand for more realistic art forms.C. The rising popularity of

    14、other types of entertainment.D. The greater acceptance of black performers by white audiences.26. In which period did musical theatre become more complex and dramatic?A. Pre - 1900. B. 1900- 1929.C.1940- 1949. D.1950- 1959.27. What can be reasonably inferred about the musical West Side Story?A. It t

    15、old its story in a new way.B. It was based on a true story.C. It was a non-Broadway show.D. It was not very successful at first.CIn 1874 Francis Galton, a British professor, analysed a sample of English scientists and foundthe vast majority to be first-born sons. This led him to theorise that first-

    16、born children enjoyed aspecial level of attention from their parents that allowed them to advance intellctually. Half acentury later Alfred Adler, an Austrian psychologist, made a similar argument relating to personality.First-born children, he suggested, were more diligent, while the later-born wer

    17、e more outgoing andemotionally stable. Many subsequent studies have explored these ideas, but their findings have beenvaried - some supporting and some rejecting the original conclusions.The main problem with the previous studies is that they were too small - often limited to afew dozen individuals.

    18、 This would be true even if the statistical methods needed to analyse the datawere simple, but they are not. Distinguishing birth-order effects from those caused by family sizecomplicates matters, meaning still bigger samples must be analysed to obtain meaningful results.To overcome the limitation o

    19、f these earlier studies, German social scientist Dr. HelmetSchmukle and his colleagues analysed three huge sets of data from America, Britain and Germany.These data sets, though collected for other purposes, included personality and intelligence tests on20, 186 people at different stages of their li

    20、ves. The American tests were on individuals aged between29 and 35. The British tests were conducted on 50-year-olds. The German tests ran the whole span ofadult life, from 18 to 98.Birth order, they found, had no effect on personality: first-borns were no more, nor less,likely than their younger sib

    21、lings to be hardworking, outgoing or anxious. But it did affectintelligence. In a family with two children, the first child was more intelligent than the second60% of the time, rather than the 50% that would be expected by chance. On average, thistranslated to a difference of 1.5 IQ points between f

    22、irst and second siblings. That figure agreeswith previous studies, and thus looks confirmed.It is, nevertheless, quite a small difference - and whether it is enough to account for Galtonsoriginal observation is unclear. In any event, it is certainly not deterministic. Galton was theyoungest of nine.

    23、28. Alfred Adler concluded that first-born children were.A. more stableB. more sociableC. more intelligentD. more hardworking29. What does the underlined“they in paragraph 2 refer to?A. The data.B. The analyses.C. The previous studies.D. The statistical methods.30. Why was Schmukles study considered

    24、 superior to previous research?A. It involved a wider age range.B. It had a much larger sample size.C. It included a larger number of countries.D. It was conducted over a longer period of time.31. Why does the author mention Galtons family background in the last paragraph?A. To confirm Galtons diffi

    25、cult upbringing.B. To suggest Galtons theory may not be correct.C. To compare his experience with Galtons parents.D. To explain why Galton was interested in birth order.DPhotography has opened our eyes to a multitude of beauties, things we literally could nothave seen before the invention of the fro

    26、zen image. It has greatly expanded our notion of whatis beautiful, what is aesthetically(审美上) pleasing. Items formerly considered trivial, and notworth an artists paint, have been revealed and honored by the photograph: things as ordinary as afence post, a chair, a vegetable. And as technology has d

    27、eveloped, photographers have exploredcompletely new points of view: those of the microscope, the eagle, the cosmos.What is it that delights the human eye and allows us to claim that a photograph is beautiful?Photography depends on the trinity of light, composition, and moment. Light literally makes

    28、therecording of an image possible, but in the right hands, light in a photograph can make the image soar. The same is true with composition. What the photographer chooses to keep in or out of theframe is all that we will ever see - but that combination is vital. And the moment that the shutter ispre

    29、ssed, when an instant is frozen in time, provides the whole image with meaning. When thethree - light, composition, and moment - are in balance, there is visual magic.Light, composition, and moment come together in a photograph to bring us the ultimatereality: a view of the world unknown prior to th

    30、e invention of the camera. Before photography, thebasic artistic rules of painting were rarely broken. Images were made to please, not to capturereality. But as photography evolved, painterly rules were often reacted in the pursuit of fresh vision.Photographers became interested in the real world, g

    31、ood and bad, and it was the accidental detail thatwas celebrated. Photography invited the world to see with new eyes - to see photographically - andall of the arts have drawn new inspiration from this change.With these basic aesthetic tools, photographers have evolved from scientists longing to“fixa

    32、n image - any image - to artistic revolutionaries. Photographs have created a new way of seeing,changed our ideas of beauty and, most importantly, made art more democratic. They have given usvisual proof that the world is grander than we imagined, and that there is beauty, often overlooked,in nearly everything.32. Before the invention of photography, which of the following was least likely to appear in anartistic work?A. A great person.B. A lovely in


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